Uncle David and Michele picked us up from Brussels Centraal at 11 a.m. and brought us straight to Tour & Taxis on the Avenue du Port.
Tour & Taxis was formerly the Customs warehouse. When the European Union abolished internal customs duties (can you imagine?!?!? No customs?!?!?! What an alien concept to us Asians), it was converted into a retail, dining and exhibition space. Uncle David said that the last time he had been to Tour & Taxis was when it was still used as the Customs building; it was the 70s and he came to pay customs duties on his car, a Buick that he had imported from France.
We lost Michele and Uncle David (who we later learned made a beeline for the restaurant) and ended up wandering on our own. Marlon was attracted to sculpture and I was attracted to collage, but in general we were both really attracted to things that were way beyond our budget. (Isn’t that always the way?) In the end, we fell in love with not just one, but two works that were priced just right for us.
Everyone and everything is restless and constantly on the go. People walk past each other, literally and figuratively. Dompas’ recurring topic is the mass being in motion, and the scarce and precious moments of genuine contact and intimacy in the turbulent sea of people. She says: “The road you traveled is more important than the goal itself. The tour supports the story of who you are, it is you.”
When I saw Inge’s works up close, they didn’t disappoint. And because of the experiences we’ve shared, from our endless craving for travel to the sense of restlessness in Singapore that led us here, Marlon totally got it. We were both struck by this large work of hers called “On the way home.” It seemed to sum up our life over the last few months: always on the move, rushing to a place unknown and unseen, pulled onward by the promise of home.