on wednesday, i woke up to a wonderful, wonderful email from lilian at bda.

i have this small project for you. it’s an episodic promo. would you be interested in doing this?

in j‘s words, tumumbling ako. would i be interested in my first paying job in singapore EVAR?!?!?! hell yeah!

lilian went on to tell me the rate for a 30s episodic promo spot: SGD250. she explained, rather apologetically, that if they had a generic series plug for me to do, the rate would be much higher but would i mind? what did i think?

what did i think? forking over two hundred fifty dollars to a workaholic-turned-housewife who can barely afford to get herself a mani-pedi or keep herself stocked with magazines and chocolates (my weekly must-have luhos) without dipping into the hubby’s pocket is like offering a glass of water to a man in the desert.

and two hundred fifty dollars for an episodic? dios mio, marimar! ina-outsource pa ba ‘yon? that’s nearly a third of my monthly salary at gma for something i used to do every single feckin’ day! (and on really long days, i could do literally half a dozen episodics in a day!)

put it this way: two hundred fifty dollars for an hour of logging tape. maybe another hour of scripting — at most (this generous speed assumes that i am practically brain dead, wear lead weights on my fingers and take a languorous snack break). on my first day at gma, i wrote my first script in ten minutes. and i knew nothing about the job or the show. my fingers were literally trembling as i typed.

then maybe another half hour each for revisions (if any) and brainstorming with/briefing the graphic designer (which used to take me and charlie eons). here i’ll have to supervise the voiceover session and edit session, which i never did back home, but that’s just another two to three hours tops, five if things go badly or slowly.

so, total it up and it works out to two hundred fifty dollars for less than eight hours of exactly the same type of work i used to do (and love to do) and the chance to wedge my foot in bda’s door. who am i to complain?

wait, it gets better. the next day, bda’s production manager lay tuan emailed me with the details.

i’m doing a promo for THE BBC!

the promo spot i’m doing is for an episode of BBC’s horizon. (clicky on the linky. the promo for the memory episode is awesome.) and i have ten days to do it! kakaloka! toto, we’re not in gma anymore!

first of all, i actually received a production schedule for an episodic. at gma, you’re fortunate to even get a job order. second, the schedule stretches out over ten days from viewing and timecoding to final edit and dub out (or as they say here, dump out). the long gap between scripting and edit is for client approval and revision. back home, the faster the better! episodics have been known to be viewed, scripted and edited within hours.

i got all my instructions (plus a couple of sample promo spots and a nice tip from lay tuan to bring a jacket) last week, but i’m still thrilled and delighted. i feel totally vindicated to have held out for (and pursued) work that i really love and can get super duper excited about. i don’t think i would be in this big a tizzy if i had sold out for an easy-come job like… i don’t know, a tindera at an estee lauder beauty counter. which i seriously considered for… one whole afternoon. haha!

tomorrow’s the big day! i plan to wear my gray team manila shirt (reprezzzzent y’all!). and right before i step into the bda office, i will put on my nice, new, hard-won hat — you know, the freelance on-air promo writer/producer one.

*kilig* i can’t wait.